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Ive long been a serious fan.Īudition is the only editing software we use at the radio station I work at. One thing we'll agree on, is the magnitude of how great CEP has been over the years to get a very high quality product in the hands of home-producers.
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Yeah, like Franco said: Remove a cough, or in my case chair squeaks and tinking glasses just ONCE and youll feel a little different about still being with CEP. Many of the plugs in Audition rival or beat Waves plugs. Its true that "pay to play" plug ins are good.however, to those of us who have done enough A/B testing and enough work with the standard plugs that come with Audition, Im not sure you can convince us that this is a clear cut fact.
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But to be very truthful, the CD burning options and the Spectral Tools are two very good reasons to upgrade to AA 3.0. Could you burn CD's with ISRC codes, UPC codes, and CD text in CEP? I cant remember, honestly. Yeah, CEP was good, but Audition is better. So, with all that said, this here is a good example of what that module can do, finishing-touch wise, for someone who had just got back into home recording and wasnt even on the VST kick yet. Here's one: SoundClick artist: RasCricket - Original Reggae and Dub Productions ~ Small Axe Studios ~(no, its not the best thing ever, but its a great mix for someone who had taken 4 years off of home production and had only owned Audition for like, 2 months at that point ~ granted, my mix was well panned and placed and had some B+ levels going on already BEFORE I slapped the Mastering Module on the master channel. Two of my better mixed songs that emed to have turned out really nicely mix-wise were done using the little Mastering Module in Audition. Theres sadly an army of guys here at Gearslutz who dont have a clue about how good Audition is. Has anyone else used Adobe Audition and seen the same results?Yes. The mix sounds like it has more life to it and much clearer. I don't know if its just me (that's why I'm posting) but the quality I am getting out of Adobe Audition vs Waves 元 is amazing. I have been using Sound Forge and 元 for a while and just tried Adobe Audition with its mastering module.
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I am not a professional when it comes to mastering but I do my best. I thought about upgrading from CEP 2.1 to Audition and somebody even gave me his copy in trade but in my experimentation with it, Adobe doesn't understand audio and they've done some very foolish things to CEP that counteract many of the improvements they made. I want to make up my own mind about how I set my limiter. However, Adobe modified it to prevent certain settings from being used which I don't like. The limiter designed by Syntrillium is far better than the 元 and in many ways, the L2. That was 10 years ago though and things change. Now I haven't used Sound Forge in over 10 years but I don't remember it being particularly impressive. Some things I should note, the 元 is about the worst thing you can do to your mixes, same thing with those "enhancer" type devices and plugins. I don't like a lot of the things about the workflow but it does some things with better quality than many other software that's much more expensive. I have Audition as well as it's predecessor Cool Edit Pro.